This article is about an exhibition of biological rarities. This article has multiple issues. Unsourced material may be challenged and removed. Cirque du freak book 4 pdf document with red question mark.
Ideas in this article should be expressed in an original manner. In the mid-16th century, freak shows became popular pastimes in England. Deformities began to be treated as objects of interest and entertainment, and the crowds flocked to see them exhibited. While Lazarus was handsome and functioning, his parasitic brother just dangled before him in a mass of limbs from his chest. When Lazarus was not exhibiting himself, he covered his brother with his cloak to avoid unnecessary attention. Although not all abnormalities were real, some being alleged, the exploitation for profit was seen as an accepted part of American culture. The attractiveness of freak shows led to the spread of the shows that were commonly seen at amusement parks, circuses, dime museums and vaudeville.
The amusement park industry flourished in the United States by the expanding middle class who benefited from short work weeks and a larger income. There was also a shift in American culture which influenced people to see leisure activities as a necessary and beneficial equivalent to working, thus leading to the popularity of the freak show. People who appeared non-white or who had a disability were often exhibited as unknown races and cultures. There were four ways freak shows were produced and marketed.