Office Hours: M 11-2 and by appointment. I am on campus jean toomer cane full text pdf days each week, but the days vary.
Note: If a critical edition is specified, we will be reading and discussing the critical essays in class. If you download a copy without them, it is your responsibility to locate and read them. Complete Fiction of Nella Larsen. University Press of New England, 1987. This book can’t be ordered through the bookstore, but you can get it used or as a Kindle book. This course focuses on the intersection of technology, modernity, race, and cosmopolitanism in American fiction of the early twentieth century. We will also consider questions of genre: the short story, the novella, and the short story cycle in addition to the novel as a form.
South for Faulkner, and the expatriate Paris of the 1920s for Hemingway and Fitzgerald. Secondary readings for this course include current critical articles on the novels and theoretical essays by Bourdieu, Horkheimer and Adorno, Benjamin, North, de Certeau, Huyssen, Scholes, Doane, and Bhabha, among others. Proposal workshop: bring ideas for your second paper. Most of these links are to journal articles from WSU databases. For those links, you will use your usual WSU username and password.
Note: Jenna has already prepared the Reilly essay, so she will present on that. Jean Toomer, Technology, and Race. Textual Duration Against Chronological Time: Graphing Memory In Faulkner’s Benjy Section. Rereading Faulkner: Authority, Criticism, And The Sound And The Fury. The Words Of The Sound And The Fury.
Faulkner And The Politics Of Incest. Technology’s Body: Cinematic Vision in Modernity. Durham, NC: Duke UP, 2002. Longing In Quicksand: Framing Kinship And Desire More Queerly. Introduction and Responses to Questions: In Conversation: The Harlem Renaissance that the New Modernist Studies. Harlem’s Queer Dandy: African-American Modernism and the Artifice of Blackness.
MFS: Modern Fiction Studies 49. Black Savant and the Dark Princess. Du Bois, Dark Princess, and the Afro-Asian International. High and Low in Modernist Criticism.
New Haven: Yale University Press, 2006. Bloomington: Indiana University Press, 1986. Lost Generation’ and the Generation of Loss: Ernest Hemingway’s Materiality of Absence and The Sun Also Rises. MFS: Modern Fiction Studies 54. Old Coke’: The Debate Over A Moveable Feast: The Restored Edition. The Field of Cultural Production.